
Zoe Leonard | City of Paris Museum of Modern Art
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Zoe Leonard (b. 1961, Liberty, New York) works with photography, sculpture and installation. Her photographs are often grounded in observations of daily life, while also drawing attention to
the physical and bodily act of looking. Migration and displacement, gender and sexuality, mourning and loss, cultural history and tensions between the natural worldand human-built
environments are recurring themes. Al río / To the River is a large-scale photographic work which takes the Rio Grande, as it is named in the United States, or Río Bravo, as it is named in
Mexico, as its subject. Over a period of four years, beginning in 2016, Leonard photographed along the 2,000 kilometres where the river is used to demarcate the international boundary
between Mexico and the United States of America. “The shifting nature of a river – which floods periodically, changes course and carves new channels – is at odds with the political task it
is asked to perform” says Leonard. Following the river from the border cities of Ciudad Juárez, Mexico and El Paso, Texas, to the Gulf of Mexico, Al río / To the River is composed of close
observations of the river itself and the natural and built environments around it. In Leonard’s photographs, daily life unfolds in tandem with agriculture, industry, commerce, policing, and
surveillance with a particular focus on the accumulation of infrastructure built into and alongside the river to control the flow of water, the passage of goods, and the movement of people.
Al río / To the River engages with photographic language from abstraction to documentary to digital surveillance imagery, and in so doing, considers various histories of representation that
have shaped our perceptions of both border and river. Zoe Leonard's exhibition Al río / To the River is organised by Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, the Musée
d’Art Moderne de Paris, Paris Musées and the Museum of Contemporary Art Australia. CURATORS: Jessica Castex and Olivia Gaultier-Jeanroy, assisted by Margot Koutsomitis