Film brings to life the suffering of a mother searching for her missing child

Film brings to life the suffering of a mother searching for her missing child


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An award-winning Mexican film about a mother’s search for her missing son will begin screening in cinemas this Thursday. _Sin Señas Particulares_ (rendered in English as _Identifying


Features_) is a low-budget film directed by Fernanda Valadez that won best picture at the 2020 edition of the Morelia International Film Festival. It recounts the story of Magdalena, a


mother whose son disappeared while traveling north from Guanajuato to seek a better life in the United States. She also heads north but to try to find out what happened to her son. During


her journey she comes across other people who are also looking for their missing loved ones, a common situation in Mexico where there are more than 90,000 missing people. “Magdalena embarks


on a journey to find her son, who disappeared on his way to the Mexico-U.S. border. Guided by her strong will, she travels across the desolate landscapes of today’s Mexico, where victims and


perpetrators wander together,” says a Morelia film festival synopsis of the movie. Magdalena, who has never before left her home town and doesn’t know how to read or write, is confronted


with a “corrupt and saturated [justice] system,” according to a review by the newspaper _El País_. Despite what she is told by the authorities, she refuses to accept that her son is dead


because files she is given about his supposed death make no mention of his identifying features. The film, which also won prizes at the Sundance and San Sebastián film festivals, takes


viewers on an “almost hypnotic visual experience,” _El País_ said. It has a soundtrack capable of accelerating or slowing down the pace of the film at will. The script was co-written by


Valadez and Astrid Rondero, who was once a student of the first-time feature film director. The former said that the film alludes to the period after former president Felipe Calderón


launched the militarized war on drug cartels in late 2006. Thousands of people subsequently disappeared, and kidnappings remain a major problem in Mexico today, although the crime was down


29% in the first half of 2021. “Mothers of the victims became detectives and activists, and they obtained more information than the authorities at times,” Valadez said, referring to the


years when Calderón was in office. Magdalena is played by Mercedes Hernández, who won the best actress prize at last year’s film festival in Morelia. Unlike some other Mexican films that are


based on true stories, _Sin Señas Particulares _tells a fictional story albeit one that is comparable to countless real-life ones. Valadez said the acclaim for the film was unexpected. “We


weren’t prepared [for that]. It’s a very small film with a small budget. … As we didn’t have expectations, we had the freedom to tell a story without thinking about what would happen later


at festivals or with an audience,” she said. Two other Mexican films that explore themes of violence have also won critical acclaim recently. _La Civil_ and _Noche de Fuego_ (_Prayers for


the Stolen_) both won prizes at this year’s Cannes Film Festival. Hernández also appears in _La Civil, _which received an eight-minute-long standing ovation at Cannes, as well as _Somos_, a


Netflix series based on a story published by investigative news agency ProPublica that revealed the U.S. Drug Enforcement Administration’s role in setting off a massacre in northern Mexico


in 2011. _With reports from El País _